Annie; The New Deal for Broadway

The little people singing about “Tomorrow” are Broadway’s biggest hit Today. Heads turned towards Broadway last year after producer’s announced a 35th anniversary revival of the hit musical Annie aiming for the Great White Way in the 2012-2013 Season. And while many might have worried or previously doubted these rugged orphans from the Lower East Side, have no fear. The 2012 Broadway revival of Annie is inventive, reworked and shines brighter than the top of the Chrysler Building.

Annie is a musical that features music by Charles Strouse, lyrics by Martin Charnin and a book by Thomas Meehan. The musical is based after the hit comic strip, Little Orphan Annie, and opened on Broadway in 1977 to rave reviews. The musical follows one little girl (Annie) who lives in an orphanage as she works to find out who her real parents are. She does this with the help of a man who adopts her, Oliver ‘Daddy’ Warbucks, and his assistant Grace Farrell. Together, they work through triumph and tragedy to find out the truth behind Annie’s parents and discover love along the way. This revival production has received a touch up to both the book and score.

This Annie revival comes on the heels of the shows 35th anniversary to its original Broadway production. Just like when it first came to New York, Annie is powerful featuring a solid script (with new jokes) and a fresh score featuring faster tempo’s and orchestrations fit for the 21st century. If you didn’t think you could fall more in love with Annie, you’re wrong. Directed by James Lapine and featuring choreography by Andy Blankenbuehler, Annie is even stronger this time around and built for a new generation. The show flows like a storybook bought to life even more through fantastic technical elements that decorate the Palace itself. One definite choice in the show that many people will probably dislike is the choice of a strong New York accent for the orphans. Quite literally filling stereotypes with the way they pronounce certain words, I personally did not mind the added touch. It helped this period piece feel more stylized in this generation of so many cultures.

Leading the pack is Lilla Crawford who stars as the title role of Annie in the production. Crawford, who found herself cast in the role after a nationwide search, is absolutely stellar. You forget the fact that she is only 11 years old as she leads the entire orphan gang through not only many adventures but number after number as well. She definitely leads by example consistently proving herself through strong acting choices not falling into the stereotypical approach to this musical and character. Her rendition of “Tomorrow” brings down the house while warming your heart at the same moment. You can’t help but find yourself starring at Crawford during the show thinking “This is what dreams are about. And this is what happens when they come true”.

If Annie herself isn’t enough to wow you over, have no fear! A gang of fierce orphans accompany the lead orphan with crazy dance moves, fierce personalities and fantastic voices all around. The gang includes Emily Rosenfeld as Molly, Georgi James as Pepper, Taylor Richardson as Duffy, Madi Rae DiPietro as July, Junah Jang as Tessie and Tyrah Skye Odoms as Kate.They shine from top to bottom throughout the show in a variety of scenes and songs. The show begins with two of the best numbers in the production “Maybe” and “Hard Knock Life” which is brought to life by Annie and the gang. They prove from the very beginning of the show that while they might be little, they are a forced to be reckoned with. Jaidyn Young  serves as the understudy for Annie as well as the standby for Annie, Pepper, Duffy and July. She will be beginning performances soon as well.

Two time Tony Award winner Katie Finneran takes on the nasty role of Miss Hannigan in the revival. Finneran works the role bringing to life the nasty character and seeming entirely loopy while at it. She plays Hannigan in her own manner but when it comes as to how exactly to describe that, I lack words. She isn’t bad. She’s absolutely fantastic and definitely evil. Her rendition of “Little Girls” is solid and her character will continue to grow even more as previews continue. Her gang featuring Clarke Thorell as Rooster Hannigan and J. Elaine Marcos as Lily St. Regis prove interesting and oddly paired. Thorell proves himself consistently with his fake alibi as Ralph Mudge, Annie’s real father and his strong vocals in “Easy Street”. However, his partner in crime isn’t as lucky. I’d sadly have to say Marcos is the weakest link of the show overall and frankly did not appeal to me at all throughout the entire production.

Anthony Warlow who stars as Oliver Warbucks in the production is one of the production’s biggest highlights. The first question that comes to mind with Warlow’s performance is, “Why is this his first attempt at Broadway?”  Warlow proves paternal as he is thrown into the role of fathering an orphan girl he knows nothing about and excels. Besides his superb acting, his musical numbers such as “N.Y.C.” and “Cabinet Tomorrow” are fantastic and bright numbers in the show. Warlow and Crawford’s rendition of “I Don’t Need Anything But You” is beyond adorable and has the audience in love with the pair if they aren’t already. These two paired up together on the Broadway stage is a match made in heaven.

There are also two other people in the production worth noting. First, is Brynn O’Malley (Pictured Left) who starred as Grace Farrell. O’Malley’s focus, direction and passion is not only present during the performance but helps drive the show through scenes where other major songs, characters or plot points are present. She is a joy to watch onstage. The second shout out goes to Ashley Blanchet who is seen featured in a variety of roles but her number one being Star to Be. Blanchet somehow manages to steal the stage entirely during a huge production number with a smaller solo she has. She brings down the house with insane vocals that have you asking 1) Who was that? and 2) Can she please come back?

If the performances in this fantastic revival aren’t enough to “Wow” you over, the technical elements involved in the show may just appear to be financed by Daddy Warbucks himself. What exactly do I mean by that? David Korin‘s delivers a brilliant set as the scenic designer. Creating a set that works like a storybook folding and unfolding throughout is not only beautiful to watch but flawless to execute. It is inventive reusing items on stage as other major set pieces as well (Sorry no spoilers). The set is larger than life, gorgeous and helps to bring to life the sense of a true palace (And I’m not just talking about the theatre). Donald Holder adds to the excellent scenic elements with superb lighting. From the colorful drop used upstage throughout the show to the moving lights used in various ensemble numbers, Holder’s design is never over the top but always just enough with an added touch. Costume designs brought to life by Susan Hilferty are not only period appropriate but perfect, period. From Hannigan’s absurd outfits to the lavish lifestyle of the Warbucks estate, Hilferty’s design is spot on hitting all the spots. She matches the color of the scenic elements but not the lighting which allows for the costumes to pop on the characters who wear them. Brian Ronan‘s sound design is strong and bright but sometimes proved a little too dull. You have a fantastic cast with even better voices, let’s make sure we hear them.

If you have any doubt about this Broadway revival of Annie, let me make things very clear right now; this is no Broadway revival to be messed with. You may wonder just how much power little girls have exactly? Little girls by no means suggests little talent. These are future stars dancing around on stage and you will be the only one missing out if you don’t check out the stars of tomorrow, today. We apologize for a lack of production photos in this post! They are not officially out yet! We will be sure to bring them to you here on the blog as soon as they are available! Check out the rest of Luner on Theatre’s Annie Coverage! For more information, check out the Official Annie Revival on Broadway Website! Be sure to check Luner on Theatre on Facebook and Follow Us on Twitter as well! We are constantly updating these pages with information! And of course, check out the rest of Luner on Theatre for all your theatre news you don’t only need but want to know!

Somebody’s Eyes Are Watching

Everybody Cut! Everybody Cut! One of the theatre communities favorite and most loved musicals came to life this past weekend at Wagner College in Staten Island, New York. Completely Student Productions kicked off their 2012-2013 season with the crowd pleasing Footloose. From the songs you sing along with to the dance moves you wanna join in on, Footloose kicks off the Completely Student Productions Season with a fun, vibrant and powerful spirit most other student productions lack.

Footloose is the story of Ren McCormack who loves being in the middle of everything but is about to find himself in the middle of nothing. Due to financial strains of his father abandoning their family, Ren and his mother move to the small town of Bomont, quite literally in the middle of no where. And while the laws of this small country town may appear odd to Ren, the weirdest of all is a law that exists prohibiting dancing. Ren discovers the meaning behind the strange law and works to prove to the town that while you get knocked down in life, you do eventually need to stand back up.

This rendition of Footloose appears stronger than most. That is most likely due to the fact that there is much less dialogue (Director’s choice) and much more of just song and dance in the show. Director and choreographer Brendan Stackhouse makes his best choice in eliminating much of the god awful book that exists for the production and relying heavily on the productions musical numbers. This is an excellent choice not only in the sense that the heart of the show is in its musical numbers, but the fact that the story is still perfectly told through less. Stackhouse works the piece and the space using the oddly shaped Spiro 2 using aisle choreography and consistent movement. Footloose takes off and never stops to look back.

Leading the gang is Max King, who stars as the out-of-town and out-of-place Ren McCormack. King dances about the stage consistently proving the spirit of Ren and Footloose itself with fun numbers such as “I Can’t Stand Still”. He also has the chance to work the crowd on the well-known opening and closing number, “Footloose”, bringing everyone in on the fun. Starring opposite King is Daniela Sottile, who plays Reverend Shaw’s daughter Ariel. Sottile shines as the rebellious teen who not only likes disobeying society but her father as she consistently proves herself to be a problem (But in all the right ways). Her performance only gets better when she has the chance to shine vocally as well on songs such as “Holding Out for a Hero” or “Almost Paradise”. “Almost Paradise”, sung with King is executed so simply that it actually proved one of my favorite moments of the show overall.

Freshmen Shane Ertter stars as Reverend Shaw Moore in the production. Despite the fact that he is one of the youngest cast members involved with the production, he also proves to be one of our favorites. He makes excellent choices as the father and Reverend trying not only to control his daughter but his town as well. His song “I Confess” in the second act is moving and hands down one of my favorite moments of the entire production. Another person worth noting is Phil DellaNoce who stars as the lovable and comedic Willard. DellaNoce delivers the laughs of the show consistently from his small encounters is scenes to his daring dance movings in the show’s production numbers. His rendition of “Mama Says” has the audience gasping for breath while surrounded by a great men ensemble backing him up.

Another great aspects of Footloose is the fierce backup provided from the small ensemble scenes to the large company numbers. You get to experience the joys of people such as Paige McNamara (Rusty), Lauren Wagner (Wendy Jo) and Patyon Sherry (Urleen). These three prove fantastic throughout the show with great dancing, backup and songs of their own. “Somebody’s Eyes”, which all three of them perform, is fantastic and vocally entertaining.

The only downfall of this production is the technical aspects of it. With a mix of a performance location and overall lack of resources from Completely Student Productions, the technical aspects for this show are minimal. And while it does work for the most part with the show mostly consisting of song and dance, you do find yourselves at times pleading for more. A colorful backdrop covers the back wall and helps the show pop with more vibrant colors.  But like we said, it only works. Due to the fact that Completely Student Productions is only a student group at Wagner College, they don’t receive enough financial funds to produce the technical elements of shows you want to see at a certain level.

If you missed Completely Student Production’s Footloose, don’t worry! The student run group will producing various other works throughout the semester that we will be sure to keep you up to date on! Only Luner on Theatre brings you student theatre news coverage you want and more! for more information, check out Completely Student Production’s Official Website. Be sure to check Luner on Theatre on Facebook and Follow Us on Twitter as well! We are constantly updating these pages with information! And of course, check out the rest of Luner on Theatre for all your theatre news you don’t only need but want to know!

Take What You Know And Then Make It Make Sense

Every family is a dysfunctional one. While people say we often attend theatre to escape the trouble of our everyday lives, we often attend the theatre to relate and cope with our daily experiences. From the good to the bad to the ugly, theatre has a way of spotlighting life in stage and moving us through song and dialogue we ourselves often experience. However, this story is a personal one. This is the Goodman family and this is the story of Next to Normal.

Next to Normal is a musical that features a book and lyrics Brian Yorkey and music by Tom Kitt. The musical follows the story of a family as they deal with the mother’s bipolar disorder and the continuous disturbance it causes to their everyday lives. The musical also touches upon suicide, drug abuse, grieving, loss and many other subjects anyone can really relate to in today’s society. This show is one of my absolute favorites. From the gut wrenching story line to the incredible music Kitt has provided, Next to Normal is a flawless piece of musical theatre that will be told as a story for many generations in America because this is not the story of just one family, but any family.

This rendition of Next to Normal was an encore performance brought to you by the Once Upon A Time Players in association with Birch Family Camp. The production was originally done over the summer in a small black box theatre on Staten Island. Overall, I did very much enjoy this production of Next to Normal. It was evident how much the cast was connected throughout telling this entire story. It is truly an emotional roller coaster not only for them but those of us who experience it. While there were several points through out the course of the production I wish I had seen it in the smaller venue (Due to spacing and how certain aspects were reading), I think it is safe to say Stackhouse has created his best work yet in Next to Normal.

Jenny Kelly

Jenny Kelly leads the cast as Diane with powerful vocals and gripping performance as the women who can’t control her life which is slowly but surely spinning out on control. It is evident to see how she is destroyed over time emotionally, mentally and physically by the illness that grips her and slowly her entire family. She is especially powerful vocally on “You Don’t Know” and in “Maybe” with Melanie Brook. Ben Bucher plays opposite as Dan and is in just as much pain as Kelly though you may not always be able to tell. He holds strong through out the piece remaining calm and collected until the “I Am The One” reprise when he quite literally lets go and has you captured. It’s wonderful, sad and something you have wanted to experience the entire show.

Anthony Colasuonno

Melanie Brook stars as the odd and quirky Natalie in the show embodying the character perfectly seeming out of place not only in her family but the world she is somehow stuck in. She delivers a powerful “Superboy and the Invisible Girl” along with the help of her brother and consistently proves throughout the piece just how emotional this journey is for her as well through her strong acting choices. Anthony Colasuonno, who stars as Gabeproved be one of the major highlights of the entire production overall. While he may not seem a Gabe type right off the bat, between his over the top vocals and seductive acting skills, Colasuonno has you hooked whenever he is performing. “I’m Alive” shines as one of the best numbers in the show with Colasuonno’s vocals.

Max King stars as  the lovable Henry who proves that people aren’t always what they seem. Keeping Natalie sane but also on her toes during one of the hardest points in her life, King proves himself consistently never giving up on Natalie even if it is just a “Hey” (Over and over again) or with an adorable “Perfect For You”. Robby Haltiwanger is a true crowd pleaser starring as the two doctors, Dr. Fine and Dr. Madden in the production, stealing the show with jokes and insane vocals. He gets to appear in and out throughout the production but you especially enjoy when he gets his solo’s in the “Make Up Your Mind” sequence. Bravo to both of these actors proving the saying true that there are no small parts in theatre, only small actors.

If you’re wondering where the title of this review comes from, I found myself not able to stop thinking about one thing during Next to Normal. While everyone who enters the theatre to see this production is different, by the time everyone leaves they are connected. They are connected in the sense of they are now questioning their life and if they themselves are truly happy. While no one may live a normal life, next to normal is something we all know and can experience. So take what you know and make it make sense because that is the only way to get by.

If you would like to get involved with Birch Family Camp, you can be sure to check out their Birch Family Camp Official Website for more. Also, Luner on Theatre will be bringing you coverage and reviews of productions all year long from student performances to professional ones! This is only he beginning folks! Be sure to check Luner on Theatre on Facebook and Follow Us on Twitter as well! We are constantly updating these pages with information! And of course, check out the rest of Luner on Theatre for all your theatre news you don’t only need but want to know and so much more!

Newsies Stop The World And Broadway!

The Broadway event of a lifetime you have been waiting for has arrived. Yes, Disney’s Newsies, the downright failure musical film from 1992, has been turned into a stage production, finally. After two decades of a cult following calling for such a movement, Disney Theatricals has responded and most certainly delivered. For while I suspected it all along, I can finally say it since I have witnessed it myself on stage; Disney’s Newsies the Musical is Broadway’s Biggest and Best Headline.

Newsies is a new stage musical brought to you by Disney Theatricals that features a score by eight time Academy Award Winner Alan Menken (music) and Jack Feldman(lyrics) with a book by four time Tony Award winner Harvey Fierstein. Newsies has changed a good amount not only since the Paper Mill run in 2011 but also from the 1992 movie it is based on. The team here has extended a lot of the music for the full length production as well as adding a bunch of new songs. Hey, they have even tweaked the story line between the Newsies and Bryan Denton, the news reporter who helps the boys story be heard. They have turned it into a female reporter who now becomes the love interest of Jack Kelly.

Despite all these changes though, the true story of the infamous 1899 newsboy strike against the most famous figures of the world, such as Joseph Pulitzer, still lies true and at heart more the ever in this fabulous stage production brought to by Disney Theatricals. Alan Menken has only made his fantastic and unforgettable score more lively with new tunes through the help of Jack Feldman. Hits such as “Watch What Happens”, “Something to Believe In” and “Once and For All” give this show the anthem feel it has with a new touch of glory. Menken’s music is truly one of a kind and a treasure of Disney. Harvey Fierstein provides a fantastic book and really hits the spot touching upon the heart of the story, the heart of Disney and the heart of this business. “What better place to go to then theatre to escape the bad?” suggests one character. How true and fitting.

Newsies is such a true and unforgettable Broadway musical. Under the direction of Jeff Calhoun, the heart of Newsies seems to be larger then life. The boys fill the stage time after time really grabbing your heart from their first moments on stage to their final bows. It seems as though their movements never end with show stopping number after show stopping number. It keeps the showing moving, lively and never provides a let down. Choreographed by Tony nominee Christopher Gattelli, the choreography is truly unforgettable and hands down needs Tony Award recognition. They could not sing or say an entire word in this production and the choreography alone will have you in awe. Many come wondering what exactly their Newsies experience will be like after Disney’s not so hot run in New York on Broadway in recent years with productions such as Tarzan or The Little Mermaid. Have no fear folks! Disney is back and truly better then ever. It is not only evident they have done their homework this time but also found a piece that truly reaches and connects to a generation. What we have here is a piece that finds its message more true now then before in a society dominated by movements such of those like “Occupy”.

But don’t let the word “Occupy” scare you off now. For despite the harsh reality portrayed in this piece, Newsies the Musical is a true Disney experience and fan friendly no matter what age you are. Besides the classic love story and irresistible tunes, Newsies brings to life more Disney magic then ever before in a totally 21st century way. Newsies is downright incredible and nothing short of fantastic.

Jeremy Jordan, who stars as Jack Kelly, leads the gang and definitely leads with his heart in this incredible production. Having last seen Jordan in Bonnie & Clyde this past winter, I can only say the thing that has changed about him is his passion in performance has gotten larger. He plays the incredible leader defying the odds consistently and not afraid to try something never done before. And even when you think for a minute you have lost him, you know true at heart he knows where he stands and belongs both physically and mentally and follows that. He stands up for what he believes in when the odds are most definitely not in his favor and still comes out on top, but only with the help of his incredible friends.

Opposite we have Kara Lindsay, who plays Katherine, the female reporter for The Sun who isn’t afraid to stand up to names such as Joseph Pulitzer despite the fact that he blackmails her and another fantastic secret I just can’t bring myself to spoil for you. Lindsay is fantastic with incredible acting and vocals through out the entire show bringing to life easily a character the Newsies cult hesitates to embrace until she first appears on stage. For once that happens, you’re sold. Lindsay easily captures your heart and before you know it, you yourself are in love with her and the character she has created for you right before you very own eyes.

Andrew Keenan-Bolger, who stars as Crutchie, grabs your heart as the Newsie with a limp who seems to push through with the odds clearly placed against him. He doesn’t know much about life or dreaming but finds that all easily to learn when surrounded by his friends. Garett Hawe, who usually stars as Albert starred as Davey the night I saw the production, provides a proving story throughout. What exactly does that mean? He isn’t so easily caught up in everything else the Newsies say but he clearly understands right from wrong and follows what he believes in. He does it alongside little brother Les played by Matthew J. Schechter who seems to easily wrangle up all the laughs in this production. Proving as elegant as little kids do, he provides funny when needed and grabs your heart time after time and even brings a tear to your eye.

Shout outs are well deserved to all the adults featured in the piece especially John Dossett, who stars in the production as Joseph Pulitzer. Dossett plays the evil Pulitzer going against everything and anything the Newsies stand for and faces major opposition from all sides. He however refuses to go easily and that is greatly portrayed through his acting. He also provides great vocals in “The Bottom Line”, his song which explains his stance on everything.

As for the fantastic ensemble of this piece, every single name deserves a mention for not one of these boys does more work then another on stage. They are a team. United more then any other and in this for the audience and the passion behind this story. They each have their own solo moment too which makes the show just that much better for not one is more talented then the other. This is a show of talented men who can just about do anything. Whether they are jumping in the air with outlandish tricks, belting their face off or tackling both of these tasks at once (Believe me, they do it!), the Newsies ensemble is the greatest force on Broadway this season. 

As for the technical aspects of this production, as previously mentioned, Disney has found magic in a 21st century style with this production. Through an innovative set, designed by  Tobin Ost, Newsies consists of 3 major stair/platform units that bring to life various locations, levels and movements through out the entire production. It’s that Disney larger then life feeling with the new less is more touch. Projections, designed by Sven Ortel, fill the set consistently but do not dominate the show. They help bring to life various locations without being the set themselves. Other current Broadway shows should take note of this. Lights, design by Jeff Croiter, are great and used effectively especially during the dance numbers. Bright and lots of side light bring to life that “Broadway” feeling Disney always seems to carry. Meanwhile for scenes and smaller songs, you get quite literally the opposite and some of the most beautiful created visual moments in the show combined with all other elements. Costumes, designed by Jess Goldstein, as period perfect in the sense that they not only are perfect for the period the show finds itself in but also perfect and that is quite just enough to be said.  The approach Disney has taken for Newsies in the technical aspects are not only fitting but help market the show as the modern marvel it is.

I’ve mentioned believing a lot in this article and I think that is exactly what this production is all about; Believing. When you are about to try something you never have, when the world is clearly standing against you, when it seems as though everything you know isn’t what is actually is and when you think you have nothing to believe in. And that is exactly what I want you to do for Newsies and yourself, Believe. This is an incredible piece that everyone should experience. Whether you consider yourself a theatre person or not, this is a story everyone can relate to. When the power of belief and passion collide, a story like Newsies is born. I think the society we live in today should not fear recreating such stories. For we see, when enough is enough and people demand change, the world can stop.

Newsies on Broadway is truly an event to not be missed. Thank goodness the production has officially announced an open run and will continue to play The Nederlander Theatre on 41st street on Broadway in New York City. I suggest you not walk but run to experience such magic on the stage. For an experience like this on Broadway nowadays is limited. Check out Luner on Theatre’s Disney Page for all our Newsies Coverage. And for more information, check out the Official Newsies Website. And of course, stick to Luner on Theatre for all your theatre news you don’t only need to but want to know and more!

Potted Potter: The Unauthorized Harry Experience is Authorized Wicked Fun Off-Broadway

Witches and Wizards and Spells! OH MY! If you have ever read a Harry Potter book, seen a Harry Potter movie or even in the slightest way consider yourself to be a Harry Potter fan; wicked fun is brewing Off-Broadway at The Little Shubert Theatre. A fantastic new show titled Potted Potter: The Unauthorized Harry Experience is currently playing there and while this show is completely unauthorized when it comes to Harry Potter itself, this show is authorized glory and an experience all should have Off-Broadway in New York City.

Potter Potter: The Unauthorized Harry Experience is a show written by Daniel Clarkson and Jefferson Turner takes the seven Harry Potter books and somehow manages to condense them into a 70 minute production somehow, 10 minutes per book it seems, complete with a real life game of quidditch as well. This theatre is literally turned upside down and  thrown around in the craziest most absurd production off-Broadway production to get life yet in New York City. This is an experience on will not forget.

Enter Dan and Jeff. Yes, the two writers of the production. They perform the show they wrote which adds to the hilarity of it all and most definitely allows for the rules to be bent whenever they seem fit. But one might ask, how do 2 performers make up the 360 characters and more represented in the Harry Potter book series?! Well, sit back, relax and prepare to be gasping for air you’ll laugh so hard. The show manages to mock everything Harry Potter and more even poking some fun at the bigger Broadway shows right up the block. And if you were still wondering how these two men were going to cover every single Harry Potter character, its easy. Jeff plays Harry Potter and Dan plays everyone else.

Jeff Turner, who stars as Harry Potter in this show, is the knowledge behind it all. Knowing the Harry Potter books inside and out, he leads the show telling the audience what he thinks is worthy of their knowing. While Dan brings to life various aspects of the show behind him, he occasionally stops the show to bring Dan back in line when the nonsense gets a little out of hand. But have no fear, he will have you laughing as he tries and most definitely fails to control his partner Dan through out the show.

Daniel Clarkson, who stars in this production as everyone in the Harry Potter books BUT Harry Potter himself, is downright hilarious from beginning to end! Creating character after character, he never ceases to amaze the audience with his downright hilarity and trait to be absurd.  He gets his never ending wish throughout the show to play Quidditch with the audience which proves to not only be a good time for the crowd but a great time to poke fun at everyone in it at well. He does not hold back in any one character and isn’t even afraid to laugh at himself from time to time as he adds things never done before.

While it is mostly the two writers and performers who represent this show and its quality, we do have to just mention how absolutely fun it is. Downright hilarious from beginning to end, more shows Off-Broadway should aim for an experience like Potted Potter. The show is one of a kind, unique and an absolutely pleasure to experience. If I had the chance, I would go back again and again as it never promises to be exactly the same. Even Jeff and Dan break at times laughing at their new jokes or gags being tried out right before you. And while one would usually point a finger at this and say “unprofessional”, in this show it will actually only get you laughing more. There is clearly no fourth wall in this production and that is what makes you feel so attached to this show because it not only invites you to watch it but also invites you personally to join in on the fun.

They also play to the absurd factor in the show through their use of sets, props, lighting and music. Set pieces such as a train (The Hogwarts Express), coffin, wardrobe (to get to Narnia of course) and picture of a beach with a palm tree (labeled Forbidden Forrest) make up the set and appear to provide cover for the various pieces used through out the show. Music from epic choral arrangements help introduce elements such as quidditch or a nice rap beat will help close out the show. Insane lighting and a classic disco ball are used through out to keep you wondering through out the entire show, “Just what exactly is next?”. You never seem to know with these two gentlemen and that is exactly what makes Potted Potter: The Unauthorized Harry Experience just perfect in every single way possible.

Potted Potter: The Unauthorized Harry Experience will be playing at The Little Shubert Theatre Off-Broadway for a limited time only! I not only suggest you try to see this show, I suggest you make it happen. Witch, Wizard or Muggle, you will truly enjoy a theatrical experience one is not to forget. The Little Shubert Theatre can be found at 422 West 42nd Street in New York City. For more official information, check out The Official Potted Potter Website. And of course, check out the rest of Luner on Theatre all your theatre news you don’t only need but want to know and more!

Jesus Christ Superstar; A Resurrection like No Other on Broadway

Ideals. Betrayal. Sacrifice. Three words to describe the Andrew Lloyd Webber musical Jesus Christ Superstar currently receiving a Broadway revival at the Neil Simon Theatre. And when I finally got the chance to check out this 21st century revival of the classic rock musical, I discovered a resurrection like no other on Broadway filled with LED’s, incredible talent and a timeless tale the world will know.

Jesus Christ Superstar is a rock musical that features music by Andrew Lloyd Webber and lyrics by Tim Rice. The musical follows the life of Jesus Christ in his final week of life. Trying to spread the word of his mission, the crowd has turned him into a “Superstar” and is slowly loosing what the true meaning behind his word is. The story heavily focuses on the relationship between Jesus Christ, Mary Magdalene and Judas Iscariot. We see Judas’ betrayal of Jesus and the aftermath that follows as he fights society with his new ideal that the high powers will not answer to.

While I myself am not a Andrew Lloyd Webber fan by any means, this hands down proves to be his most effective and best score written. (At least in my opinion. Sorry Phantom Fans) The musical is filled with memorable tunes such as “Heaven on their Minds”, “This Jesus Must Die”, “Dammned for All Time/Blood Money”, “Gethsemane” and “Superstar”. The list could go on for a while. Andrew Lloyd Webber’s score provides effective in telling the story but bringing the emotion of the story to the audience through its music. And Mr. Rice’s lyrics prove just as epic with lines such as “Show me there’s a reason for you wanting me to die. You’re very keen on when and where but not so hot on why”. Jesus Christ Superstar is not only a memorable experience but a fun one with upbeat tunes and movement all around.

This production directed by Des McAnuff, best known for his work on Jersey Boys, brings to life the classic rock musical in a 21st century style. The stage is filled with platforms, LED screens, moving lights and projections all about. This is a clearly a revival for a new century of theatre. And that I think is effective. The production also features choreography by Lisa Shriver which proves heavy through out the course of the show. This seems to be the make or break for many people checking out this Broadway production – the fact that is quite literally never stops moving. Personally, that for me scored as I enjoyed the consistent moving about and entire use of the stage. You have all that space so you might as well use it. I’m sure McAnuff also played a huge part in the consistent moving of the piece as that is how Jersey Boy’s works – Consistent moving that keeps the audience focused bring to life a spectacular musical that remembers to tell the story in the process.

Paul Nolan stars as Jesus Christ Superstar in the production making his Broadway debut. Nolan’s voice is insane literally blowing you away consistently as the show progresses. A true rock voice, he has found a calling in the role of Jesus in this Superstar production. I would not say however I found myself connecting to him emotionally through out the show. While his vocals exceed expectations, his acting is lacking. Despite this though, you still do feel remorse through out the entire lashes sequence that occurs in the second half of the show. Nolan does prove to be a crowd pleaser winning over the audience at “Why should you want to know”.

Jeremy Kushnier went on in the role of Judas Iscariot I went to check out the productin. (Josh Young was out fighting an upper respitory infection the night I saw it) However, Kushnier does prove successful in his portrayal of the one who betrays Jesus. His voice, opposite of Young’s, is the classic wailing rock tenor that plays the game of “Exactly how high can I sing?” His vocals though were fantastic through out and I also very much enjoyed his acting. It is clear how much it hurts him to betray Jesus and that is something that was portrayed to the audience as well. His rendition of “Superstar” is fantastic and a great note to end the show on quite literally before it all finally ends. Side note: While I did very much enjoy Kushnier’s performance, I do plan to return and see Josh Young as Judas.

Chilina Kennedy who stars as Mary Magdalene in the production is also making her Broadway debut. Kennedy’s vocals for the most part are good but her acting and overall appearance on stage did not score for me. Out of the trinity that leads this show (Jesus-Mary-Judas), she is hands down the weakest link. Also, I did nt personally enjoy many of the choices the creative team had instructed her to do. Her break dancing in front of Jesus during “Simon Zealotes” is not only out of place but awkward as a whole.

Tom Hewitt who stars as Pontius Pilate is brillant in the production. Despite the fact that he is rarely on stage in the production, he is hands down one of the best aspects of the production entirely. Fantastic vocals and superb acting prove to be a great force as his character is what finally drives Jesus to his final point and death. He also gets to where a pretty snazzy purple suit. Hewitt, despite his character being dark, is one of the brightest points of the entire production.

Bruce Dow stars in the production as King Herod is hands down one of the highest points of the show. He proves hilarious through out the scene mocking Jesus with his band of dancers. And Dow scores across the board by not speak singing the role (which is too often done) but actually singing and bringing to life high notes like it’s his job. The audience goes wild for his over the top antic’s and mocking which also including playing a piano in the middle of his own song. Brava on making one of the smaller roles of the production one of the brightest.

I do also have to give shout outs to Lee Siegel who starred as Simon Zealotes in the production and Mike Nadajewski who starred in the production as Peter. Both of them proved fantastic through out the show with loads of talent. You only get a small chance to enjoy each of their talents in their spotlight moments so take it in and don’t forget it. Sometimes I found myself thinking that what Broadway may need is more performers like this – minor ones with ridiculous amounts of talent who prove not only as effective but as talented as the stars of said production.

When it comes to the technical aspects of the production, this Jesus Christ Superstar production has been brought to life using the most effective and current technology there currently is. The stage is filled with lights and LED’s that are consistently used through out the show designed by Howell Binkley. Rolling screens with words and images are used to help tell the story which I enjoyed making everything only that much heavier. The two story set, designed by Robert Brill, allows for movement which the show carries a lot of that is why it proves so effective while still using so little. Open passage ways filled with ladders and staircases are used by the cast consistently as they move through out to tell the story. Paul Tazewell‘s costume design is modern without loosing what exactly makes the show so biblical. Keeping the main characters in their intended looks of the time, they stand out against the more modern hipster background ensemble who are also heavily featured in the show. And Steve Kennedy’s sound design mixed with an epic rock school consistently have you rocking out in your seat you are currently in. This score and show show is something worth celebrating which is brought to life through the sound execution of the show. All these design choices have honored the original point and intention of the story but have proved to show how this musical and tale is timeless. It does not matter what generation or time we find ourselves in. But, we can always find hope, sacrifice and morals if we look around us.

If I were you, I’d absolutely make my way to check out Jesus Christ Superstar back on Broadway better then ever before. If you have ever experienced this show and not enjoyed it or connected with it, try again. I know that is a situation I found myself in and was happy to say in the end I was proved wrong. This effective piece is not only good to have back on Broadway but honors the rock musical. THIS is what rock musical theatre is about! And I wouldn’t miss it if I were you. Jesus Christ Superstar is currently playing at the Neil Simon Theatre on 52nd street in New York City. For more information, check out Jesus Christ Superstar’s Official Website or check out their Official Facebook Page. And of course, check out the rest of Luner on Theatre for your theatre news you don’t only want but need to know and more!

End of the Rainbow; An Icon Reborn on Broadway

The higher the throne the longer the fall. This seems to be the case with so many celebrities especially iconic ones that have redefined the entertainment scene. However, I am specifically talking about Judy Garland and the new musical End of the Rainbow which is currently playing on Broadway at The Belasco Theatre. However, I had realized last night by the time I left the theatre, despite the fact that you may be at the end of the rainbow, one can still find shinning bright moments in a life plagued by alcohol, addiction and a need to reclaim fame once captured.

End of the Rainbow is a musical drama written by Peter Quilter which portrays the life of Judy Garland as she tries to make one final comeback once and for all in the final months leading to her death in 1969. The show mostly focuses around the constant struggle Judy had in her life with addiction to pills, alcohol and the men whether they worked for her or were more involved in her personal life. The way I would best describe it would be a play featuring the hit music of Judy Garland on Broadway.

The musical drama directed by Terry Johnson is a gripping piece that captures the audience and brings them firsthand into the life of one of the most talented stars of the time who is utterly being destroyed by an addiction she cannot handle. It is not only emotional but effective with their portrayal of Garland’s decline through continuous bad press and inconsistent lifestyle. While at times I found myself doubting the quality of the book and production, I did find myself very upset at the end as they explain Garland’s final months on earth after everything you have just witnessed. It may not be your first choice of a show you want to see on Broadway but is definitely something worth seeing. I must give a personal shout out to Jeffrey Saver who is the musical director of the production.  The musical aspect of the show is hands down the brightest aspect of it. I loved the performances and the song choices through out.

Words cannot describe the performance given by Tracie Bennett who stars as Judy Garland in the production. Not only has Bennett captured the correct image, but put so much of herself in the character that at when the musical numbers of the show arrive, it seems as if you are watching Judy herself on stage perform. It is painful to watch her consistent battle something you can tell has taken the upper hand in her life and is driving a monster she can’t seem to control. Bennett brings to life Garland classics such as “Smile”, “Come Rain or Come Shine”, “Get Happy” and of course, “Somewhere Over the Rainbow”. However, its not only Bennett’s vocals that will win you over but her acting as well. It is beyond superb and truly brings to life a character people will love and appreciate.

Michael Cumpsty stars as Anthony in the production. One of Judy’s long time friends and her piano player for her comeback show. They remember the old times while trying to work their way into new ones. However, Anthony is deeply affected by how much addiction has destoryed Garland’s life. Cumpsty is enjoyable as Garland’s friend but sadly has no part written for him in the script to standout. Vocally or acting wise which leaves you with an “meh” feeling about his overall performance. Although out of the minor roles in the show, he is the best and does hold the audience’s attention through out.

Tom Pelphrey stars in the role of Mickey Deans in the production; the last of Garland’s lovers before her death. Originally wanting to help her, he eventually turns against her only fueling the addiction and as many believe, became the cause of her death just three months after their marriage in 1969. However, Pelphrey does not score for me in this production really on any level. His acting sometimes seemed forced and jaded the story taking place around him overall harming the final product instead of just himself. He was by no means god awful and unbearable to watch. However, there were times I wish the producers would have paid more for a larger name maybe in said role.

Jay Russell also stars in the production in a variety of minor roles as such BBC Interviewer/Porter/ASM and is good through out. However, you never really get the chance to see him to anything of substance and therefore you lose him through out the performance. Upon reentering, you are even reminded that he was present in the theatre that evening for the show he currently works on. I would not blame this on him however. Bad book writing can take the main fault for this aspect of the show.

Th show features a scenic design by William Dudley which puts us in Garland’s hotel room as she works to plan her comeback to the stage she has been working on. However, for her performances at “Talk of the Town”, out goes the back wall to reveal the entire orchestra and a stage marquee which clearly shows us we are now at Garland’s show. The furniture does remain for all the “Talk of the Town” scenes which I personally found distracting and hindering. However, I did find myself wondering at times if it was left there to show how the addiction in her personal life (The hotel room) transferred and affected so much of what she did on the stage. Lighting by Christopher Akerlind is great and creates the illusion of the passing days as well as showing the various locations through out Garland’s London Suite. He also uses proper show lighting for her “Talk of the Town” performances that take place. William Dudley also designs costumes which were great for the most part. All true to the time period, the costumes specifically designed for Garland were hands down my favorite the night. They were not only true to her character but stood out with sparkle and flair.

I do have to say though as much as I do enjoy this show on Broadway, I found myself wondering how long it would last. While yes, the story is about a American icon that people loved very much, I would overall consider this production much more of a West End style production. (Where this show originally began). I think people love Judy Garland and love seeing the downfall of the rich and famous. And while End of the Rainbow is may bring some colors to Broadway, it is by no means the brightest section of the arch.

So if you get a chance wonder down the yellow brick road with Tracie Bennett and the cast of End of the Rainbow on Broadway now currently playing at The Belasco Theatre. This is one journey you definitely not only want to hear about but experience first hand. For more information, check out End of the Rainbow’s Official Broadway Website or their Official Facebook Page. And of course, don’t forget to check out the rest of Luner on Theatre for all your theatre news you don’t only want to know but need to know and more! 

Bonnie & Clyde; Stealing the Show on Broadway

Its so easy for critics and theatre-goers in today’s world to claim original musical theatre is dead. But have no fear Broadway, original musical theatre is not only alive but alive and fantastic in a new Broadway production about America’s most famous outlaws. The new Broadway musical Bonnie & Clyde not only combines history, a love story and the epic tale of two robbers but does so in a fashion that creates the best new original piece of musical theatre on Broadway this season.

Bonnie & Clyde is a new musical featuring a book by Ivan Menchell, lyrics by Don Black and music by Frank Wildhorn. The musical follows the lives on Bonnie Parker and Clyde Barrow, two of America’s most famous outlaws. The story follows them from their first encounter to their sudden romance to their never ending robberies. Interestingly enough, the story also talks about how their lives not only affected their family but the world around them. Menchell’s book is exceptionally strong for a new musical and makes choices that widen the show’s appeal but keep it focused on what really matters. The choice to include so many other characters lives in the plot doesn’t sway our focus from Bonnie & Clyde but limits it as we suddenly realize every last move of their will effect this story. Its so interesting to see the lives of Bonnie & Clyde outside of what we already know them for. We find ourselves watching a loving couple fighting for the dream and freedom in which they have decided is the only manner left to do so.

Wildhorn deserves much praise for providing an exceptional score for the new musical which is filled with tunes that will be humming all the way out the door of the theatre. He brings us all around with up tempo songs, beautiful ballads, a duet here and there as well as a few company numbers that everyone can enjoy. Some personal favorites from the show had to include “How ‘Bout a Dance”, “When I Drive”, “Made in America” and “Dyin’ Ain’t So Bad”. It was even hard to choose those at that because of how much each song plays a role in the story of our two characters. Black uses creative lyrics through out to not only create hit songs but combine history into the words the characters sing. However, we also does find great moments for lyrics that leave the audience in awe. My favorite being “And I’d rather breathe in life than dusty air” from the ballad Dyin’ Aint So Bad. This score is by no means filled with cheesy musical theatre songs but filled with passionate Broadway tunes that no only affirm musical theatre is not dead but alive and breathing in new life.

Broadway has lucked out with a show like this. A new original musical that is actually executed very well and has a back bone of a story behind it. You don’t find that much these days. Featuring direction and choreography by Jeff Calhoun, Bonnie & Clyde on Broadway deserves much more credit that it has gotten or will most likely ever receive. Previous disasters with Wildhorn have left critics coming prepared with knives to chop this production up when that is only the opposite of what it deserves. The production has lucked out with two of Broadway’s biggest upcoming stars, Laura Osnes and Jeremy Jordan who steal the show and have you captivated from moment one of their performance. They are sexy, talented and so much more and deliver a performance that makes you want to buy tickets all over again. This production lacks what many Broadway productions never seem to pick up, passion. And the audience’s are are picking up on that too which has caused the revolution behind the closing announcement as fans and theatre-goers beg for an extension and longer life for this production. The fact that Bonnie & Clyde has made such an impact in its little time on Broadway is a verification to all those who have worked on this production that the magic of theatre can transform people but when theatre is good, there is absolutely nothing better.

Laura Osnes, who plays the role of Bonnie Parker, is Broadway’s newest leading lady. Osnes’ presence on stage alone is enough to have the audience swooning in her before her performance even begins. She truly captures the image of a young girl who is not only in love but willing to do anything for the ones she loves. She knows she will never fully have Clyde unless she goes along with him which then creates the pair of Bonnie & Clyde. Her acting is spot on and her vocals perfection which we are lucky enough to hear time after time in her multiple songs. And while she really captures you in “How ‘Bout A Dance”, her best song hands down of all is “Dyin’ Ain’t So Bad”. Filled with beautiful lyrics and music, Osnes gives this song not only what it needs but more to create a song that stops the show not with that over the top Broadway number nonsense; but one girl on stage alone giving a performance that can captivate an entire theatre. She is quite literally perfect throughout.

Jeremy Jordan, who plays the role of Clyde Barrow, is a force to be reckoned with. As the wild outlaw Clyde from shows beginning, Jordan’s performance is spectacular as he manages to capture the heart of the audience as a young boy and holds on to that till his very last breaths. His spirit is unmatched as he never gives up hope for his character and his wild antics despite us knowing the end that lays in sight for Clyde. From “Raise a Little Hell” to “When I Drive”, it is inspiring to watch Jordan play this character as he not only nails it on multiple levels but secures the right of passage as one of Broadway’s newest and upcoming leading men. It is downright crazy to watch him hit so many of the high notes like its nothing through out the production’s vocals. His talent is unmatched in the sense that Jordan has a different style to his performance. But what exactly is that? I’m not sure either, but it is what captures the audience and keeps them in their seats through out this show.

Claybourne Elder, stars as Buck Barrow in the production, is alongside brother Clyde from beginning to end and just as wild. Elder is fantastic and just as wild as Jordan in his performance. His voice, which has a certain characteristic to it, is great and has points to shine through out the show such as “When I Drive”. His acting is also great with his wild antics along side is lover Blanche, who is played by Melissa Van Der Schyff. Van Der Schyff’s performance in the production is great but definitely does not stand out as much as the others. This may also be the way though that her character is formed through out the production. However, she is impressive through out as she clearly doesn’t like Buck’s wild ways but is overcome with love and has no choice but to follow him. She meets the end she knew she would but knows it was worth it for ride with Buck.

Another great aspect of this production is the performance by Louis Hobson, who stars as Ted. A police officer conflicted between following the law and his pursuit of Bonnie. It is so interesting to see how this case personally effects him as his feelings for Bonnie change through out the course of the show. While he is one of the minor characters of the show, he does get points to express his feelings not only in multiple scenes with Bonnie but also in song as their story progresses. His role, while it may seem minor, is just one of the few people who we get to see first hand how the lives of Bonnie & Clyde effected and disturbed through out their criminal spree and love life.

The ensemble in the show is also great as they are used for a variety of roles through out the production. From church-goers to customers in the hold ups, the ensemble doesn’t really have a big number for just them but they each are featured with a solo line or two in several places through out the show. And while some would say that this production is missing a big ensemble Broadway number, I don’t think it calls for it. The idea of no big ensemble number but being featured through out pushes the story along and has us never lose sight of the overall story.

The production also scores big on all levels when it comes to the technical aspects! Again, Bonnie & Clyde becomes a Broadway musical that doesn’t rely on the technical effects for the audiences pleasure but places excellent technical aspects behind an already excellent production only adding to the value. The set, design by Tobin Ost,  is a network of wooden doors and platforms. One of the coolest and inventive set designs I have seen in a while, the set moves up and down and side to side to allow multiple locations on the set at once and allow multiple aspects of the story to be explained. The great thing is the set never overwhelms you with how much it has to offer. It gives what it needs to allow the magic of the production but also throws in the history we need to know. The lighting, designed by Michael Gilliam, is magnificant to say the least! Using shadows and silhouettes through out the production, the lighting is beautiful never over taking what is happening on stage. Hands down some of the best lighting work on Broadway this year is seen in this production. The costume design, also by Tobin Ost, is perfect and time period appropriate. Its refreshing to see these old times costumes brought to life in a new era on stage. Another fantastic job is how well the costumes have been created to mock actual real life clothing worn by the famous duo. The production also uses a variety of projections, designed by Aaron Rhyne, through out the show to help tell the story. What is nice is that these projects never take away from what is happening on stage but become the backbone to the story the actors are telling. All the photos and video clips shown through out the show are real life images taken of the people the story is about. It actually makes the story more emotional I think to see these real life people being portrayed on stage but knowing they existed. This story is more real then one thinks and the different perspective on it overall really is interesting to take into account. This production has definitely done its homework when it comes to all the historical aspects of this production. Nothing technical seems out of place and just doesn’t belong which is so easy for older new musicals created to fall into.

Nothing is more frustrating to see fantastic original musical theatre alive and no one giving it the chance it deserves. And that is the story of Bonnie & Clyde on Broadway.

I would encourage everyone to run not walk to experience Bonnie & Clyde on Broadway while they can. This is truly a one of a kind musical not only this season but in general. Proving to us that original musical theatre is alive and well – it is truly a crime to close a Broadway show this good. Bonnie & Clyde will shutter on Broadway December 30th, 2011. However, an official cast recording is set to be recorded and will be released at a later date. For more information, check out Bonnie & Clyde’s Official Broadway Website. Thank you to Playbill.com for the photos used in this blog post! Don’t miss this killer production on Broadway before the gig is up!

Lysistrata Jones; Broadway’s Slam Dunk Musical

In a season of limited new original musicals on Broadway, the sun is shinning bright at Athens University with the new Broadway musical, Lysistrata Jones! Loosely based on the ancient Greek comedy filled with sexual humor, 2,500 years later this modern day interpretation will still have you laughing from beginning to end in a musical that is hands down the most fun on Broadway you will have this season.

Lysistrata Jones is a new musical that features music and lyrics by Lewis Flinn and a book by Douglas Carter Beane. Based loosely after the ancient Greek comedy Lysistrata by Aristophanes, this fun new musical brings to life a modern day take on hilarious sexual humor that never seems to get old. At first upon watching, one may find themselves thinking “Is this really happening?” as basketball players, mac book computers and tons of other modern marvels fill the stage. However, you quickly realize this isn’t some knock off modern take on a classic piece. Lysistrata Jones quickly finds a place in your heart as the story progresses and we learn not only more about a university divided but a girl who doesn’t stand for giving up. And that is where the heart of this story is at.

The score by Lewis Flinn is filled with fantastic music that has the audience bouncing through out the show. Finding a strange mix between Legally Blonde and In the Heights, the music is the biggest surprise of the show considering how well it has been executed. And this pop filled score even finds it time to have true Broadway moments with songs such as “You Go Your Way” and “Where Am I Now” which truly capture the essence of Broadway combined with pop music for the 21st century. I can only hope that an album is produced from this show considering these are not only show tunes one can enjoy during the performance but could enjoy listening to on a radio. I think of this show as a fantastic example of where the 21st century and musical theatre can go when we combine a solid background for a theatre piece and add in a new element to the show not usually combined with Broadway musical theatre.

The show itself is such a good time its almost hard not to enjoy it. Featuring direction and choreography by Dan Knechtges, the musical really brings a small story to life in a larger sort of fashion. It was also interesting to see the aspect of sports on Broadway in a new fashion. While this is nothing new, this take on it was a very new approach and I liked the direction in which is carried. The choreography is outstanding is especially the, what I called, basketball-ography which was the boy playing ball to all choreographed motions. However, the true story of girl power and a girl who begins her own revolution to change the world is still at the heart of this play despite the modern take and that is what really matters.

Patti Murin, who stars as the title character of Lysistrata Jones, is a force to be reckoned with. Being the girl the refuses to let people give up, Murin’s dedication and passion behind her performance is not only what drives the story but the show itself. It is so easy in a modern show like this to be wow-ed and overtaken by everything going on around you. Murin doesn’t let that happening staying strong as the driving force of the show through out the entire story. Liz Mikel, who stars as Hetaira, finds herself in the interesting role of throwing herself in and out of everything taking place. Her character is definitely the ancient Greek representation for the show as she wonders about helping tell the story. She is hilarious as she jokes about the characters and finds the nonsense taking place around her outlandish. She also treats the audience to some impressive back up vocals through out many of the character’s songs.

Lindsay Nicole Chambers stars as Robin in this production and seems to be an audience favorite. As the quirky strange girl from the library, she is hilarious through out the story clearly being the odd one out making her way into a group of fierce girls. But don’t worry, things work out for her best in the end as well she finds some happiness both on and off the court. Josh Segarra stars as Mick in the production as the stereotypical college kid, basketball player and brother from another mother.  Winning the audience over by clearly playing the dumb card, his foolish antics and ridiculous rants through out the show are not only silly but just down right absurd as he battles against Lysistrata and the girls refusing to give it up. However, he does have a lighter softer side you get a glimpse at several times. And while this is something nice to see – it is overall still mostly foolish.

Jason Tam, who stars as Xander in the production, is truly the one however though that wins the audience’s heart in the end. Taking the classic story of the underdog, Tam’s character works his way form social outcast to the pride of the school’s basketball team, the Spartans, as their mascot. Clearly forming a chemistry with Lysistrate Jones from the moment they meet, his song “Hold On” that he shares with her in Act 2 was one of my favorite moments of the show hands down.

All of those in supporting roles also deserve mention for their great work and talent showcased through out the show. Something nice about there being no large ensemble to this piece is we get a moment to not only experience each character but each relationship in its own form. This doesn’t take you away from the stories main driving points but enhances it further strengthening an already strong book. The ensemble includes Alexander Aguilar (‘Uardo), Ato Blankson-Wood (Tyllus),Katie Boren (Lampito), Kat Nejat (Cleonice), LaQuet Sharnell (Myrrhine), Teddy Toye (Harold) and Alex Wyse (Cinesius).

The production also scored for me in almost all of the technical aspects. I think the main reason for that would be the technical aspects were put to good use with a worthy book and score. It is so easy for Broadway shows today to simply “Wow” an audience with a light show or other various technical effects. However, Lysistrata Jones combines a good story with even better tech. The lights, designed by Michael Gottlieb, control a lot of the show with scoreboards, LED’s and scene specific lighting that continued to wow me personally even when several effects were used multiple times. When Lysistrata Jones opened downtown earlier this summer, it played in an actual gym and how does the set get any better then that? Featuring a scenic design by Allen Moyer, Lysistrata Jones clearly understand the concept of a small show in a big Broadway house. They minimize the space on stage to their advantage creating a gym downstage with a platform upstage housing the orchestra. This tatic is what makes this smaller show work so well in the space it is in. Also, they use a unit set idea as lockers facing the gym are turned around to reveal a library in one act but a bedroom in another – all smart and effective choices. The sound, design by Tony Meola, also really brings this small production to life on the big Broadway stage as they blast the pop music not placing you but forcing you into this world they have created. It is fantastic. Also, the costumes design by David C. Woolard and Thomas Charles LeGalley are stand out-ish through out the show in all the right ways. Bright orange uniforms for the boys and a little skin baring cheerleader outfits for the girls leaves the audience happy no matter what sex you are. It is a show like this that truly exemplifies to me how you put great technical aspects with a great show to only create a great Broadway experience.

So make your way down to 48th street to the Walter Kerr Theatre and check out one of Broadway’s newest and brightest original shows, Lysistrata Jones! I promise that if you attend this show, you will leave saying you have never had more fun! This show is a highlight for Broadway as it is truly a slam dunk! It is so refreshing to see a new original piece of musical theatre on Broadway that is not only silly, fun and exciting but worth an experience to the theatre! For more information, check out Lysistrata Jone’s Official Broadway Website! Luner on Theatre will continue to bring you Lysistrata Jones news as needed! Thank you also to Playbill.com for the photos used in this article! Of course stick with us here at Luner on Theatre as we bring you not only the theatre news you want but need to know!

Crazy For You; Who Could Ask For Anything More?

I found myself fortunate this Thanksgiving break to be able to check out The Players Club of Swarthmore’s production of Crazy For You. I attended opening night this past Friday to a sold out audience  as all awaited the production before us. Filled with great music, unforgettable lyrics and a story no one can resist, Crazy For You at The Players Club of Swarthmore not only delivers the theatrical experience you need but one you will enjoy form beginning to end.

Crazy For You is a musical that features a book by Ken Ludwig with music and lyrics by George and Ira Gershwin. The musical, which is largely based on the Gershwin’s Girl Crazy from the 1930′s, follows the story of Bobby Child and Polly Baker as they fall in love through a series of hilarious circumstances and mistaken identities. Gershwin music, unforgettable lyrics, hilarious one liners and a story anyone in show business can relate to make for the perfect show. Crazy For You is absolutely one of my favorite shows of all time. Not only because the show is so well put together and funny but of how much one can relate to it. Especially for those of us in the theatre business, with lyrics like “I’m dancing and I can’t be bothered now” to “Nice work if you can get it and you can get it if you try”, Crazy For You is in a sense the perfect show. If one was to ask for a great example of american musical theatre, Crazy For You stands at the top of the list.

Never had before experiencing a Players Club of Swarthmore production, I was not quite sure what to expect upon attending the musical. Crazy For You is a difficult show to produce no matter where you do it so when it came to the odds a community theatre production, I was interested as to what I would find. I can truly say though after seeing this show, I was thoroughly impressed with the Players Club of Swarthmore’s production of Crazy For You. This venue, cast and creative team have all clearly dedicated themselves to this production going full out for everything. Don’t hear the words community theatre and dismiss this production. From the performers to the technical aspects, The Players Club of Swarthmore’s production of Crazy For You is a must see community production!

The Crazy For You creative team includes Brian Walsh as director and Rachel Hoke as musical director. The production uses the original Susan Stroman choreography. However, those who taught the restageed choreography for this production include Melody Chapman, Tiffany Brooke Dow, Allison Gerrard and Jeffrey Dietzler. Crazy For You is produced by Mary Leigh Filippone. Congratulations to all on a highly successful production of this show which is no ease production to put on. Really asking for theatre at its best on every level here, this creative team has helped deliver a production not only that people will enjoy but will have them coming back for more.

Kevin Dietzler, who stars as Bobby Child in the production, was clearly born to play this role. From his dancing to his singing, Dietzler is at ease through out the production never making it look difficult but still finding a way to impress the audience through out. His tapping is definitely delightful through out the show and shines when featured. One of my favorite moments of the show had to be Dietzler’s rendition of “Nice Work If You Can Get It”. Stacy Moscotti, who stars as Polly Baker in the production, is a fantastic Polly and really captures the sense of kicking butt and keeping everyone in line through out the show. However, despite her tough sense in the wild west filled with cowboys, Moscotti finds beautiful moments through out the production to show off her true character through songs like “Someone To Watch Over Me” and “But Not For Me”. Also, Dietzler and Moscotti work well as a pair as they are both heavily featured through out especially when it comes the production’s choreography.

Richard Gonzalez, who stars as Lank Hawkins in the production, is funny and furious through out. As the clearly fed up bar tender of Deadrock, Gonzalez is just about willing to do anything to end his theatre problems next door. His anger is actually funny and only gets funny as visitors stop in and out of his hotel and he finds himself strangely involved with Irene. Kat Lemon, who stars as Irene in the production, plays the clearly fed up lover of Bobby until he travels to Deadrock and everything changes. Lemon’s stage presence is so fantastic that in the first moments of the show alone, the audience worried for Bobby if he isn’t to listen to her. Lemon gets you again in Act 2 with her fantastic rendition of “Naughty Baby” which has the house rolling in tears it is so funny.

Craig Copas, who stars as Bela Zangler in the production, truly captures the sense of the sarcastic Broadway producer in all aspects. Accent down and jokes up, Copas does a fantastic job with the hilarious one liners of Zangler through out the production. Another shout out deserves to go to Allison Gerrard and Kristina Psitos who star as Tess and Patsy in the production. These two who are more of the featured showgirls are absolutely fantastic! Capturing the true sense of a show girl, they will having you laughing with their one liners but also impressed with their consist singing and dancing throughout.

The company of the production also deserves a hand for their hard work through out the show. Crazy For You packs in company numbers over and over again and this cast never appeared tired but more energized as the show continued. Their rendition of “I’ve Got Rhythm” was fantastic with full out costumes, tap dancing and all the original choreography aspects the audience loves sending us into intermission blown away. That is what we call not only an Act 1 finale but musical theatre at its finest. And that is what exactly impressed me so much about this “community theatre” production of this show. They committed to it in all aspects which is what made it so  special and lovable. I mean, how often do you see community productions that have an entire chorus of tap dancing girls? Thats what I thought.

The technical aspects of the show also worked well as they used the depth of the stage to their advantage bringing down curtains and drops for smaller scenes while the larger scenes took over the stage. It was interesting how the store fronts rotated and moved around to create the inside of the bar and so on. However, sometimes this did hold back the scene changes as heavy pushing and movements were required. The only negative thing I have to say about the production is that the pit for this production didn’t do it for me. Not having that larger then life sound you imagine for a show like this, I felt as though sometimes the pit held back on stage aspects of the show. You need the instrumentals to kick butt like the production does and in this sense, it didn’t deliver for me.

So if you get the chance, check out The Players Club of Swarthmore’s production of Crazy For You! The production is play Thursday through Sunday from now until the weekend of December 17th (Closing Date)!  All performances are at 8 PM except for Sunday matinees which are at 2 PM. Ticket information can be found on the website. For more information, check out The Players Club of Swarthmore’s Official Website. Thank you to Bob Colameco for his photos which we used through out this article. Don’t miss this stellar production filled with big band music, great songs, hilarious one liners and a story you just can’t resist. I mean really, “Who Could Ask For Anything More?”. Don’t miss this fantastic production running now through December!